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New York Fashion Week: Cynthia Rowley

Posted by Pete Duhon on September 20, 2006

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New York Fashion Week: Cynthia Rowley
Photo by Peter Duhon.

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New Work by Elizabeth Peyton in New York

Fascinating work, please enjoy! Lara New Work by Elizabeth Peyton November 20, 2020 – February 20, 2021 Gladstone 64 #contemporaryart #art #portraiture #portraits #uesnyc #ElizabethPeyton @GladstoneNYC

Art Comments Interview with James Fuentes

written and edited by Jeff Grunthaner and Peter Duhon in New York If the sense of beauty has anythin g to offer us , then we have to bracket the kind of moralism that reduces pleasure to utility, considering instead the utopian potentials delineated by works of art as intimations of new societal relations . It’s both par adoxical and frustrating that m ost galleries are shell s. Your typical art-intoxicated night out resembles nothing less than ghostling swarm s of embryos darting in and out of galleries, as though to incarnate themselves by inhabiting some momentary carapace , be com ing a kind of hybrid species physically bra nded by the sites they’ve visited . Economics play a heavy hand in this. Whatever aspirations artists and curators come to NY with, they inevitably get caught on the pneumatic grid of money, w hich c onfines their ambition s like an ether, inverting their intere st in art into to that form of interest rese

Painters of the Sublime: Joseph Mallord William Turner and Constable

The Constant Circle of Art This past weekend I visited the Frick Museum and absolutely fell in love with Joseph Mallord William Turner and Constable . After doing some research I noticed a couple of interesting things, one of them being that one of his goals in painting was not merely to copy something exactly(nature and objects) but rather to paint the essence or the sublime characteristics of of a particular scence. Truly, abstract painting started prior to the 20th century (Henry Finkelstein) . The day before travelling to the Frick Museum here in New York, I attended an artist critique session with master painter Henry Finkelstein and he quoted Constable, stating that Constable said, "I like to paint moisture." He advised studying Constable for that very purpose of painting atomsphere and even clouds. I started out writing this specific post with the intention of stating that one of Turner's painting will go on auction next week at Christie's and they expect t

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